Love in Hamlet, The Jilting of Granny Weatherall, and 'We Real Cool' Essay

bonk in Hamlet, The Jilting of Granny Weatherall, and We rattling peaceful - Essay ExampleBy contrast, in our times, even with the strike down of Dont Ask Dont Tell, and of marriage equality in New York and other states, the love portrayed in literature often follows the so-called traditional set-up of a man and a woman. There are also other ways in which literary portrayals of love have changed over time for example, Shakespeares works glorify love besides modern works sometimes downplay its role in our lives. What does this signify? The different portrayals of love in the following three schoolbooks can, at least in part, be attri furthered to the time of their writing Hamlet, in 1600, reflects a world in which love was idealized but often not really part of reality. Marriages were ordered according to property ownership and convenience and what could be more convenient than the late kings brother taking over his role, wife included? The Jilting of Granny Weatherall, writt en by Katherine Anne Porter in 1930, presents love as important but not a driving force. Grannys stream-of-consciousness returns repeatedly to her being left at the altar, but also to her own strength as a successful single mother at the beginning of the twentieth century. Ultimately, though, her lost love pales in moment when compared to her jilting from God. Finally, in 1960, Brooks poem We Real Cool shows love as a reticent issue, masked by more important, wilder behaviour. This leads one to ask now, liter years after We Real Cool, what role does love play in modern literature, and is it as reflective of our reality as Hamlet, The Jilting of Granny Weatherall, and We Real Cool were in their times? ... s love play in modern literature, and is it as reflective of our reality as Hamlet, The Jilting of Granny Weatherall, and We Real Cool were in their times? This paper will look at the bloods of these texts in terms of language and context to show that love is an evolving force in literature. Love in Hamlet, like every other theme in the play, is a multifaceted and complex presence Hamlets adoration of his mother, tempered by vicious disgust, has been interpret as his sexual desire for her, stimulated by his sense of his mothers guilt (Jardine, 38) his relationship with Ophelia is also one of destructive love, and his words to her oscillate wildly surrounded by kindness and hatred (Get thee to a nunnery, go Shakespeare, III.i). Some critics have argued that Hamlets perception of his mother as weak - Frailty, thy name is woman (Shakespeare, I.ii) influences how he sees Ophelia. Hamlets relationship with Ophelia is clouded not just by his misogyny, but by his complete self-absorption his melancholy takes precedence over her love for him, causing him to be cruel and send Ophelia into a madness fueled by the loss of her father and her partner. However, the older couple in the play, Gertrude and Claudius, appears to be a genuinely happy one, if the reader exam ines the text closely and refuses to take Hamlets interpretation of their marriage as read. Claudius is an effective king who deals diplomatically with events ranging in scale from the military threat from Norway to Hamlets depression (Shakespeare, I.ii) Gertrude is a condole with mother who independently invites her sons friends to Elsinore to alleviate his sorrow (II.ii) together they are a passionate couple who, in Hamlets own words, spend time honeying and making